Liam Bailey is a soul and reggae artist from Nottingham, England. He’s collaborated with drum n bass producers Chase and Status and Shy FX, as well as Amy Winehouse and more recently, Gorillaz.
The reggae-infused track ‘When Will They Learn’ originally released on vinyl in 2011 but got a rerelease in 2013 on Magic Records. An untrained vocalist, Bailey says his raw singing is reminiscent of the sounds of vinyl, something the greatest rock DJ John Peel also echoed.
“I don’t want to compare myself to magic, but imperfections are what make us human.”
Jan Jelinek is a Berlin-based electronic producer. He’s known for his abstract style of moiré in which he reduces beat patterns to a third dimension.
The minimalist track ‘Tendency’ appears on the album Loop – Finding – Jazz – Records, originally released in 2001. So it predates the dub-techno framework later adopted by Burial and the likes of Forest Swords.
From the Nigerian archives comes the band Grotto’s lost 1977 gem, At Last, reissued by the Lago-based Odion Livingstone label. Odion Iruoje was a former A&R manager at EMI whom discovered the group and recorded their album.
Influenced by the likes of Jimi Hendrix and Carlos Santra, the group formed a rock/funk fusion band at St Gregory’s college in 1974. Recalls Odeon:
“I was into youth bands at the time, I felt they offered something fresh, most pros were into reggae which I hated (not as a genre but the aping of it).. youth bands allowed me to experiment, I gave them something and they in turn gave me something, which I could take to the next project. They made me in a way. EMI (Nigeria) did not really get the emergence of the youth market, they thought I was fooling around with kids.”
Slowthai is a rapper/producer from Northampton, England. His latest solo release slowitdown packs a serious punch of grime beats and lyrical jabs, most notably on the track ‘Wiseman’ which originally premiered on Boiler Room and played more recently on the Gilles Peterson show.
Hector Plimmer is an electronic producer from South London. His latest record, Sunshine, is an exploration of trippy synths and jazz drums. “It represents (in no particular order) my musical journey over the past 4 or so years, some of which may never have seen the light of day,” says the musician.
The opening track ‘Let’s Stay’ is a sublime mix of dreamy keys laced to a head-nodding drum kicks. It’s no surprise his influences range from Flying Lotus, Portishead, to Theo Parrish.