William Onyeabor was a Nigerian musician and businessman. He was known as “The Chief” in southeast Nigeria, where he built “the greatest record manufacturing business in all of West Africa.” He released nine funky electronic albums in total, all pressed at his own studio.
A legend, he passed away last month. His music survives him.
German electronic artist Orson Wells ‘Blend’ provides a flashback to early 1990s Prodigyesque techno, with a proper step toward vibrating house music. According to the Bandcamp page, the album artwork is a hodgepodge of stickers “found in car liveries.”
Continuing in the realm of 2017 beat tapes comes Austin producer Botany AKA Spencer Stephenson with his album Raw Light II.
The drum looper ‘Wednesday Night October 28 2015’ is one of the standout tracks, sampling together a frosty choir before spinning off until into cinematic vibrations powered by a flute. The Madlib and Four Tet influence is evident.
Paul White is back with some new music on an all new beat tape, Everything You’ve Forgotten. One of my favorite tracks ‘Maori Baby Junior,’ is the kind of downtempo goodness White is known for. If you dig it, peep ‘Running On A Rainy Day’ after the jump. “Shut the door. It’s going to be a long night…”
Throwing Snow is London-based electronic musician Ross Tones. ‘Prism (1)’ is the lead single from his forthcoming album Embers. The track ebbs and flows in kaleidoscopic arpeggios, crunching in a rolling piano to techno synth sensations.
“Our complex world arises from fundamental laws. These laws constantly sculpt and shape our surroundings through repeating cycles, forever moving forward. Cycles interact with each other, endlessly morphing an interconnected landscape. Viewed over longer periods of time seemingly static objects like mountains ebb and flow like water, and yet over the same time frame countless lives appear like waves oscillating in a blink of an eye.” ~ Throwing Snow