Beats, rhymes, and pieces. That’s what you’ll hear from prolific musician Oddisee, a native of the Diamond District. He’s back again with his third release in a dozen months with The Iceberg, an album that sees him grapple with the issues related to culture, race, and politics. The White House barred him from performing at Obama’s Farewell for his “controversial” lyrics on the track ‘Lifting Shadows.’
If the tune ‘NNGE’ is any indication, Oddisee is prepared to sharpen his words to meet these darker times.
“I grew up witnessing many protests come to Washington DC. This song continues that tradition by using words of encouragement over production inspired by the native sounds of DC music.” — Oddisee
German producer Christian Löffler describes his music as melancholy combined with euphoria. I closed out my Best of last year with his magical track ‘York.’ As he describes on his Bandcamp page:
“All my music is connected by a gloomy spirit, which is minted by a warm sincerity. I try to merge all kinds of different acoustic colors to obtain this feeling in my music.”
Sound mimics environment
The young producer makes his tracks in a log cabin overlooking the Baltic Sea. Tracks on his latest album Mare place you in his wandering, coastal environment. His subtle field recordings and moody synthesizers create a Walden state of mind.
Ensemble Entendu is Brooklyn-based duo Sam O.B. and Photay, both representing the Astronautico dance label. Their debut album Selected Rhythm Works, Vol. 1 is a melange of sounds including house, dub, reggae, and dancehall. The track ‘Peel Back’ is a particular bouncer that pairs 80s funk to African drums. Proper listen.
‘Outsider’ is the lead single from singer/producer Mood Tattooed AKA Hagan Knauth which drops this October on the Brooklyn-based Blankstairs label.
Knauth’s rustic influences are apparent on the track — he grew up on a farm in upstate New York. ‘Outsider’ sounds like the singer’s internal dialogue while taking a solitary walk in the woods. It’s the perfect downtempo song to kick off the beginning of Fall. Upon first listen, it sounds a lot like Elliot Smith’s ‘Need in the Hay‘ but much trippier.
‘Hush Tarantula’ is a dialogue of textures that guides you through a cycle of growth and reflection. Marked by powerful subtleties, Hagan Knauth generates an incredible range of sound that speaks more to the nature of psychedelia than the typical sonic palette commonly found within “psychedelic” music.