Beats, rhymes, and pieces. That’s what you’ll hear from prolific musician Oddisee, a native of the Diamond District. He’s back again with his third release in a dozen months with The Iceberg, an album that sees him grapple with the issues related to culture, race, and politics. The White House barred him from performing at Obama’s Farewell for his “controversial” lyrics on the track ‘Lifting Shadows.’
If the tune ‘NNGE’ is any indication, Oddisee is prepared to sharpen his words to meet these darker times.
“I grew up witnessing many protests come to Washington DC. This song continues that tradition by using words of encouragement over production inspired by the native sounds of DC music.” — Oddisee
The Peter Franks Group is an instrumental and jazz beat collective from Bournemouth, England. The fresh and crisp flute-driven track ‘Leaving This Place’ is one of the standout tracks off the band’s album Days Past. ‘Inner Most’ is also a moody gem.
“…A real timeless feel to this courtesy of the joint talents of Halsall, Urquhart, Mwamba, Crennell, Maffei and Manners – but the real magic is in the dreamy keyboard work of Peter Franks and his inventive production techniques.”
Paul White is back with some new music on an all new beat tape, Everything You’ve Forgotten. One of my favorite tracks ‘Maori Baby Junior,’ is the kind of downtempo goodness White is known for. If you dig it, peep ‘Running On A Rainy Day’ after the jump. “Shut the door. It’s going to be a long night…”
Citizen Boy is a Durban electronic producer pioneering the Gqom sound emerging out of Durban, South Africa. His fellow Gqom Oh! label-mate DJ Lag called the localized genre, “a mix of elements of hip-hop and house.”
Citizen Boy’s track ‘Indaba Ka Bani Besibenuza’ is a tribal dance beat that tries to encapsulate the resourceful experiences of “Zulu culture and history.” The song also translates into ‘who cares if we dance under the influence of drugs.’