“Play what you know and then play above that.”Miles Davis
“One eye sees, the other feels.”Paul Klee
Photographer and blogger Eilon Paz has put together a book Dust & Grooves: Adventures in Record Collecting, which features more than 130 vinyl collectors across the world.
The images are amazing and diverse, ranging from the Italian man who owns the world’s largest collection of colored vinyl records to an owner who collects only Beatles’ White Album records.
Says Paz in an interview with Slate Magazine on capturing the vinyl enthusiasts:
It’s just me and the camera and that’s it. It’s like two friends hanging out listening to records and then I shoot some photos. It builds a very intimate moment between me and my subjects. When they talk about music they lose all their inhibitions. They just really enjoy it.
Vinyl has been having a resurgence the last few years as a reaction to the digitization of everything. As the most famous rock DJ John Peel promptly noted: “Somebody was trying to tell me that CDs are better than vinyl because they don’t have any surface noise. I said, ‘Listen, mate, life has surface noise.”
The internet reintroduces lost objects. Everything from rare reggae recordings to out of print books finds its way online to be consumed for the first time.
Only physical objects like pieces of art retain their scarcity, and therefore their value. But digitization means one copy makes infinite shelf life.
Sharing bytes of knowledge amplifies the value of the original asset. What’s mine is your’s, even if your copy is just a jpeg.
Living in digital format ensures permanency and shareability. Mass production begets mass consumption, all without a factory and a warehouse.