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Arts Music Photography

Adventures in record collecting

The Dust & Grooves Book
Photographer
The Dust & Grooves Book3
The Dust & Grooves Book 4

Photographer and blogger Eilon Paz has put together a book Dust & Grooves: Adventures in Record Collecting, which features more than 130 vinyl collectors across the world.

The images are amazing and diverse, ranging from the Italian man who owns the world’s largest collection of colored vinyl records to an owner who collects only Beatles’ White Album records.

Says Paz in an interview with Slate Magazine on capturing the vinyl enthusiasts:

It’s just me and the camera and that’s it. It’s like two friends hanging out listening to records and then I shoot some photos. It builds a very intimate moment between me and my subjects. When they talk about music they lose all their inhibitions. They just really enjoy it.

Vinyl has been having a resurgence the last few years as a reaction to the digitization of everything. As the most famous rock DJ John Peel promptly noted: “Somebody was trying to tell me that CDs are better than vinyl because they don’t have any surface noise. I said, ‘Listen, mate, life has surface noise.”

You can buy the 436-page book on the Dust & Grooves website or Amazon.

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Books Music Photography reggae

Photographer Alex Bartsch retraces reggae record sleeves in London

Covers: Retracing Reggae Record Sleeves in London

3 new vinyls p/mo based on your music tastes 💕, Photographer Alex Bartsch retraces reggae record sleeves in London
3 new vinyls p/mo based on your music tastes 💕

Alex Bartsch spent the last ten years photographing the original locations of some of his favorite UK reggae vinyl covers from 1967 to 1987. Holding each sleeve up to arm’s length, he meshes the past and present of London’s surroundings.

While Googling came handy, what he found in his research was that most of the shoots took place outside the record label offices themselves. He told Huck Magazine:

“It often starts with the information on the record sleeve but many of them don’t offer much to go on. I have learned through doing this project that a good place to start is the area where the label was based. Sometimes it was just outside the door of the record label.”

Some of the artists included in his book Covers: Retracing Reggae Record Sleeves in London include Bob Marley & The Wailers, Alton Ellis, Peter Tosh, Delroy Wilson, and more.

Snag a copy on One Love Books here or on Amazon UK.

Photographer Alex Bartsch retraces reggae record sleeves in London, peter tosh

Photographer Alex Bartsch retraces reggae record sleeves in London

Photographer Alex Bartsch retraces reggae record sleeves in London

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Photographer Alex Bartsch retraces reggae record sleeves in London

Photographer Alex Bartsch retraces reggae record sleeves in London

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Electronic Music

Mezzanine: ‘The album that still sounds like tomorrow’

massive attack mezzanine 20 year anniversary

Music writer Michael A. Gonzales penned a dynamite article celebrating the 20th-anniversary release of [easyazon_link identifier=”B00FMF3R76″ locale=”US” tag=”wells01-20″]Mezzanine[/easyazon_link] from UK band Massive Attack.

Mezzanine is an album best listened to loud, preferably on earphones, to properly hear the layers of weirdness and rhythms, a soulful sound collage that was miles away from the “Parklifes” and “Champagne Supernovas” of their Brit-pop contemporaries Blur and Oasis.

Along with the likes of fellow Bristol-based artists Portishead and Tricky, the band helped usher in an era of trip-hop. The trip-hop genre mashed hip-hop and electronica, adding layers of rock, soul, and dub. Mezzanine was therefore fresh and original, contrary to the DJ sampling on the group’s previous two albums [easyazon_link identifier=”B01L388UBI” locale=”US” tag=”wells01-20″]Blue Lines[/easyazon_link] and [easyazon_link identifier=”B000TEVJYS” locale=”US” tag=”wells01-20″]Protection[/easyazon_link].

The trip-hop label was bestowed on the group by the Brit journalist Jonathan Taylor to describe the trippy music that was simultaneously street and psychedelic. Trip-hop was a tag that, like jazz, was often rejected by the practitioners, but it fit perfectly.

Mezzanine contained 4 singles, each matched by a dark and intriguing music video (see below). It’s also worth mentioning that one of the three key band members, Robert Del Naja, is rumored to be street artist Banksy.

To celebrate the album’s 20th anniversary, the band decided to release the album in DNA format. 920,000 DNA strands make it the second-largest file ever stored in DNA. This is sure to make it forever timeless.

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beats Music Video

MF DOOM x Madlib: Speaking through music

MF DOOM recaps his experience with producer Madlib when they recorded the epic [easyazon_link identifier=”B0788FT3QV” locale=”US” tag=”wells01-20″]Madvillainy[/easyazon_link] album 14 years ago.

“We spoke through the music. He’ll (Madlib) hear the joint and that’s like my conversation with him. And I’d hear a beat, and that’s like what he was saying to me.”

There are so many gems on the [easyazon_link identifier=”B0788FT3QV” locale=”US” tag=”wells01-20″]Madvillainy[/easyazon_link] album but if I had to choose one (re: a few):

Music as telepathy. Beats as [easyazon_link identifier=”B0788FT3QV” locale=”US” tag=”wells01-20″]Madvillainy[/easyazon_link]

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Music Video

Video: Jóhann Jóhannsson ‘A Song For Europa’

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London-based STUDIO AKA animated Icelandic electronica composer Jóhann Jóhannsson’s hauntingly beautiful tune ‘A Song For Europa’ from the 2016 album release, Orpheé.

The video brings life to the track’s dubby recordings of the Numbers Stations, mimicking the radio waves that broadcast intelligence messages to operatives in foreign countries.

The Oscar-nominated musician passed away last February.

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Music

Bob Marley for eternity

Bob Marley would’ve been 73 years old today. To celebrate the reggae legend, watch teenage cellist and 2016’s BBC Young Musician of the Year winner Sheku Kanneh-Mason perform a cello version of Marley’s “No Woman No Cry.”

Also be sure to check out the New Yorker piece that looks back at Marley’s legacy, including the oral history of the artist as documented by Marley-expert [easyazon_link identifier=”039305845X” locale=”US” tag=”wells01-20″]Roger Steffens[/easyazon_link].

Upon his death bed, Marley left some final words for his son Stephen: “Money can’t buy life.”