“One eye sees, the other feels.”Paul Klee
The ‘write what you know’ trope works because it’s easier to write the truth. But what’s authentic isn’t always what’s best for the art.
David Bowie modified his voice when he sang “I’m Afraid of Americans.” He wanted to make sure the tone matched up with the voice of the character (himself) portraying it. He interpreted music through motion. Brian Eno said that Bowie did what was best for the song, not clinging to the usual memoir approach of a singer.
“A lot of people think that singers should always be sincere, that it has to be their own soul coming out. That’s b — — — -. What you’re really doing is working like a playwright. You’re making little plays and the singer is the lead character.”Brian Eno
Eno encourages fictional storytelling. Making art is an act. It’s supposed to be fantasy. But some artists think that the truth is what sets them free and leave it to their fans are there to sort it out.
“It’s that ridiculous teenage idea that when Mick Jagger sings, he’s telling you something about his own life. It’s so arrogant to think that people would want to know about it. This is my problem with Tracey Emin. Who f****** cares.”Brian Eno
Art breaks the rules. It takes inspiration from the real world to create something new. It dances with fear. Artists continue dreaming into adulthood, without taking everything so seriously.
“Children learn through play, adults learn through art.”
Eno’s modus operandi it to make stuff that’s “a continuation of what we do as children.” He recently released a new album on Warp Records called The Ship. He also created a ‘visual music’ light piece called The Zenith. Eno creates things he wished existed.
Both Eno and Bowie teach us to have fun with our curiosity by showing the world what we can see in our heads.
Photographer and blogger Eilon Paz has put together a book Dust & Grooves: Adventures in Record Collecting, which features more than 130 vinyl collectors across the world.
The images are amazing and diverse, ranging from the Italian man who owns the world’s largest collection of colored vinyl records to an owner who collects only Beatles’ White Album records.
Says Paz in an interview with Slate Magazine on capturing the vinyl enthusiasts:
It’s just me and the camera and that’s it. It’s like two friends hanging out listening to records and then I shoot some photos. It builds a very intimate moment between me and my subjects. When they talk about music they lose all their inhibitions. They just really enjoy it.
Vinyl has been having a resurgence the last few years as a reaction to the digitization of everything. As the most famous rock DJ John Peel promptly noted: “Somebody was trying to tell me that CDs are better than vinyl because they don’t have any surface noise. I said, ‘Listen, mate, life has surface noise.”
The internet reintroduces lost objects. Everything from rare reggae recordings to out of print books finds its way online to be consumed for the first time.
Only physical objects like pieces of art retain their scarcity, and therefore their value. But digitization means one copy makes infinite shelf life.
Sharing bytes of knowledge amplifies the value of the original asset. What’s mine is your’s, even if your copy is just a jpeg.
Living in digital format ensures permanency and shareability. Mass production begets mass consumption, all without a factory and a warehouse.